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As the movie opens, he is amazing his mother, Dede (Foster), by reading the bottom of his cereal bowl when he is hardly big enough to lift it. The child genius ( Adam Hann-Byrd) is not treated as a sideshow stunt, nor as a cute gimmick, but as a miniature human being who brings out the worst, and best, of those around him. Fred Tate is the same way he looks at things with a level eye, he is not neurotic, he handles a roller-coaster childhood without going nuts.Īnd that's one reason why “Little Man Tate” isn't precisely the movie you'd expect. Despite spending 25 of her 28 years in show business, Foster is sane, focused and not much impressed by showbiz glitter. I sensed a quality in Jodie Foster than I also sense in Fred Tate: a certain balance, a certain perspective on the strangeness of life. The next time I saw her, she was already 13, and translating from French to English and back again at the Cannes Film Festival, where she starred in “ Taxi Driver.” I mention these meetings for a reason. She met me at a health food place on Sunset Boulevard - no publicist in tow - and ordered something with a lot of alfalfa sprouts in it.
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I was interviewing her for “ Freaky Friday” (1977) or one of those other Disney movies she made. What was impressive was how smart, cool and observant she was for her age how she discussed the motivations of her characters and the quirks of her directors. She had been appearing in movies since she was 3, but child actors are commonplace and that isn't what made her special.