Later that year or in 67, he married Sporus, who was said to bear a remarkable resemblance to Poppaea. In the beginning of 66, Nero married Statilia Messalina. This was supposedly in child birth although it was later rumored Nero kicked her to death. “In reality there has never been a real definitive break between Vanessa and me.” And so here they are, still together, more united than before.Nero's wife, Poppaea Sabina, died in 65. In 2006, almost fifty years after the first spark, they got married in great secret with a simple and intimate ceremony in the Don Bosco Village in Tivoli. So it was also for Franco Nero and Vanessa Redgrave, who have never lost sight of each other and who have always been there for each other, to the point of realizing that they still belong together, despite everything. Then they parted and their lives went their separate ways: he became a father for the second time with Franquito, born from the relationship with Mauricia Mena, a young Afro-Colombian known in Cartagena she met colleague Timothy Dalton on the set, with whom she stayed for 15 years.īut as Venditti was able to say masterfully, certain loves do not end: they make huge turns and then they return. Together they made other films and had a son, Carlo.įranco Nero and Vanessa Redgrave in a scene from the film Camelot At the time Vanessa was married to Tony Richardson and had two daughters: a year later she divorced and went to live with Franco Nero. He was Lancelot, she was Guinevere, destiny united them just like the two characters dearest to King Arthur. Franco Nero and Vanessa Redgrave, a love that knows no endĬinema is also the context in which he found his other great love, Vanessa Redgrave, a British actress with whom he shared several sets and with whom an overwhelming passion was taken just as they were shooting Camelot. He has worked with the greatest Italian and foreign directors, from Fassbinder to Zeffirelli to Pupi Avati and in 2019 he received the Golden Globe for Career from the Foreign Press Association in Italy. But the most intense trend is that of yellow with a political background, such as Il Giorno della Civetta, Il delitto Matteotti and Marcia trionfale. A path that takes off when John Huston calls him to interpret Abel in the blockbuster The Bible and which will see him at the center of many international productions.Īmong his best known works there is undoubtedly the role of Django, an Italian western that also inspired the reworking by Quentin Tarantino who wanted him in Django Unchained.
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as a film actor, not to mention the television experiences and films that have seen him direct.
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“He was proposed to me, he’s one of the best actors in the world, why not? If someone makes a mistake in life, one must know how to forgive “, was the explanation of Nero, who does not only have projects behind the camera, but also films that see him as the protagonist (” From Spain they are asking me to impersonate the Pope ”, he told Vanity Fair).įranco Nero Franco Nero, career in cinema and on TVĪfter all, cinema was for Franco Nero the great love that has never stopped, which has never known a crisis, since 1962 when he made his debut with Pelle Fina to get to today, with over 150 films alone. And instead, here he is, gritty and still in the saddle, ready to continually test himself with new challenges: the last is the one in which he directs Kevin Spacey in The Man Who Drew God, going against the tide with respect to a world of cinema that in the has recently cornered the actor after allegations of harassment.
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His charm is unchanged, as well as his charisma and his desire to do, he who has about fifty years of career behind him and who could live in the myth of himself. One of these is Franco Nero, born in 1941, who, having reached the milestone of 80 candles, does not seem to know the passage of time. There are faces and names that remain indelible in the collective imagination as a symbol of Italian spirit and charm.